| Issue | Title | |
| No 21 (2015): Private/Public | 'To Keep Feelings in Circulation': Private/Public Sexuality and Queer Ambivalence in an Age of Assimilation | Abstract PDF |
| Joshua Jones | ||
| 2006: Special Issue 01: Evolutions | "A million years...just for us": Subversive fixity in Peter Weir's Picnic at Hanging Rock | Abstract PDF |
| Alex Tate | ||
| Special Issue 04 (2015): Transnational Memory and Traumatic Histories | A retrospective Ulysses’ syndrome: French émigré recollections of the British host | Abstract PDF |
| Juliette Reboul | ||
| No 15 (2012): Imitation and Repetition | A Symbol in Mass Production: Ruyi Images in the Inner and Outer Cities Under the Qianlong Reign | Abstract PDF |
| Stacy Guoying Zhang | ||
| No 19 (2014): The New Materialisms | Addendum Introduction | Abstract PDF |
| Victoria Anker, Georgina Barker, Amy Burge, Giulia Toto | ||
| No 20 (2015): After the Good Life | After the Good Life - Introduction | Abstract PDF |
| Stephen Schryer | ||
| No 21 (2015): Private/Public | Afterword | Abstract PDF |
| Mary Evans | ||
| No 01 (2005): Origins & Originality | Angelopoulos' Ulysses Gaze: Where the Old meets the New | Abstract PDF |
| Vangelis Makriyannakis | ||
| No 14 (2012): Sacred & Sacrilegious | Angels of Punishment and the Sword of God: Symbols of Justice or Tyranny? | Abstract PDF |
| Emily Paterson-Morgan | ||
| No 05 (2007): Apocalypse Now | Apocalyptic Nostalgia in the Prologue of Don DeLillo’s Underworld | Abstract PDF |
| Randy Laist | ||
| No 07 (2008): Haunting | Apparitions | Abstract PDF |
| Kas Saghafi | ||
| No 11 (2010): Identity | Appropriating Identity: William Hogarth, Thomas Gainsborough, and Britain’s Myth of the Self-Made Man | Abstract PDF |
| Jayme Yahr | ||
| No 24 (2017): Taboo | Are the Homeless Taboo? – A Theoretical Perspective | Abstract PDF |
| Adam Clay | ||
| No 01 (2005): Origins & Originality | Becoming Origin(al): Deterritorialization and Postcolonial Theory from the Caribbean | Abstract PDF |
| William Christopher Brown | ||
| No 05 (2007): Apocalypse Now | Behind the Veil: Gender and Apocalypse in George Eliot’s The Lifted Veil (1859) and Wilkie Collins’s The Two Destinies (1876) | Abstract PDF |
| Ryan Barnett | ||
| No 20 (2015): After the Good Life | "Being Alive is a Crock of Shit" - Kurt Vonnegut's Kind Pessimism | Abstract PDF |
| Andrew Hicks | ||
| No 12 (2011): Authenticity | Black Bodies, White Subjects: Modernist Authenticities and Anxieties in the Avant-Garde Film Borderline | Abstract PDF |
| Simone Knewitz | ||
| No 11 (2010): Identity | Blazoning Mary Magdalene | Abstract PDF |
| Sophie Gray | ||
| No 24 (2017): Taboo | Bodies Out of Place: Poe, Premature Burial, and The Uncanny | Abstract PDF |
| Carl H. Sederholm | ||
| No 23 (2016): Readers and Writers | Book Review: Slavoj Žižek, Against the Double Blackmail | Abstract PDF |
| Cain Shelley | ||
| No 03 (2006): Chance and Control | Butterfly and Bulkhead: Chance, Control, Conrad | Abstract PDF |
| Randall Stevenson | ||
| No 04 (2007): Camp! | Camp Cures (the Stigma of Illness). Escaping the Tyranny of Caring, Charity, and Positive Thinking in Adam Mars-Jones' "Slim" | Abstract PDF |
| Christian Lassen | ||
| No 01 (2005): Origins & Originality | Catherine Labio, Origins and the Enlightenment: Aesthetic Epistemology from Descartes to Kant. Ithaca: Cornell University Press, 2004. 193 pp. | Details PDF |
| Joe Hughes | ||
| No 04 (2007): Camp! | Charles Hawtrey, Kenneth Williams, and Susan Sontag: Campaigners of Camp and the Carry On films. | Abstract PDF |
| John Bannister | ||
| No 18 (2014): Cliché | Cinema, Cliché, and Thought Outside Itself | Abstract PDF |
| Tyler Parks | ||
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ISSN 1749-9771
