| Issue | Title | |
| No 07 (2008): Haunting | Clipping | Abstract PDF |
| Nicholas Royle | ||
| No 10 (2010): Space/s | Come, Armageddon! Come! Queer Nihilism and the Margin of the Urban | Abstract PDF |
| Daniel Portland | ||
| No 09 (2009): Voice/s | Computer Error: Voices and Translations in Edwin Morgan’s Science Fiction Poetry | Abstract PDF |
| Russell Jones | ||
| No 20 (2015): After the Good Life | Constructing the Good Life: Posthuman Musical Identities | Abstract PDF |
| Bethany Roberts | ||
| 2006: Special Issue 01: Evolutions | Created Lives: The Evolution of Literary Biography | Abstract PDF |
| Andrew Otty | ||
| No 11 (2010): Identity | Creating Oneself as a Mother: Dreams, Reality and Identity in Doris Lessing’s the Fifth Child (1988) | Abstract PDF |
| Anna Casablancas i Cervantes | ||
| No 16 (2013): Un/Natural Histories | Creative Ecologies: Derek Walcott’s Postcolonial Ecopoetics | Abstract PDF |
| Emma Trott | ||
| No 02 (2006): Fear & Terror | Desperado Literature: A Rewriting of Fear as Terror, as Illustrated by Ian Mc Ewan’s Saturday (2005) | Abstract PDF |
| Lidia Vianu | ||
| Special Issue 04 (2015): Transnational Memory and Traumatic Histories | Diaspora, Postmemory and the Transcultural Turn in Contemporary Jewish Writing: Barbara Honigmann’s Autofictional Writings | Abstract PDF |
| Jessica Ortner | ||
| No 07 (2008): Haunting | Dickens’s Haunted Christmas: The Ethics of the Spectral Text | Abstract PDF |
| Brad Fruhauff | ||
| No 12 (2011): Authenticity | Digital Attraction : from the real to the virtual in manuscript studies | Abstract PDF |
| Peter Ainsworth | ||
| No 12 (2011): Authenticity | Digital Attraction: from the real to the virtual in manuscript studies | Abstract |
| Peter Ainsworth | ||
| 2006: Special Issue 01: Evolutions | "Dreaming While Awake": The Evolution of the Concept of Hallucination in the Nineteenth Century | Abstract PDF |
| Shane McCorristine | ||
| No 04 (2007): Camp! | Dude Looks Like A Lady: Straight Camp and the Homo-social World of Hard Rock. | Abstract PDF |
| Jack Burton | ||
| No 10 (2010): Space/s | Ecocriticism and Terraforming: Building Critical Spaces | Abstract PDF |
| CHris Pak | ||
| 2014: Special Issue 03: ReVision Conference | Editing for Public Consumption: the Use of Documentary Film in the Promotion of New Zealand’s Mental Hospitals | Abstract PDF |
| Rebecca McLaughlan | ||
| 2014: Special Issue 03: ReVision Conference | Editing in Leone's The Good, The Bad and The Ugly (1966) and Peckinpah's The Wild Bunch (1969) | Abstract PDF |
| Keith Hennessey Brown | ||
| 2014: Special Issue 03: ReVision Conference | Editing Lives/Rewriting Public Identity: Celebrity and Authorship in Martin Amis’s Experience | Abstract PDF |
| Sally Mitchell | ||
| No 19 (2014): The New Materialisms | Editorial Introduction: The New Materialisms | Abstract PDF |
| Yanbing Er, Co-editor | ||
| No 03 (2006): Chance and Control | Edward W. Said. On Late Style. London: Bloomsbury, 2006. 176 pp. | Details PDF |
| Frauke Matthes | ||
| 2006: Special Issue 01: Evolutions | "Endless Forms" of Evolution? Heuristics in Darwin and Taine. | Abstract PDF |
| Andrew Court | ||
| 2006: Special Issue 01: Evolutions | Entangling Rites: the Pattern of Experience in Cormac McCarthy's All The Pretty Horses | Abstract PDF |
| Carole Juge | ||
| No 17 (2013): Rites & Rituals | Enthronement Rituals of the Princes of Rus’ (twelfth-thirteenth centuries) | Abstract PDF |
| Alexandra Vukovich | ||
| No 14 (2012): Sacred & Sacrilegious | Exploring How William Blake Views The Sacred ‘Fall’ Of Judeo-Christianity As Triggering A Sacrilegious ‘Fall Of Man’, Utilising The Ideas of Friedrich Nietzsche | Abstract PDF |
| Jenny Hollander | ||
| No 19 (2014): The New Materialisms | Exploring the Enlightenment from Intellectual History and Critical Theory: A Case Study of Hybrid Methodologies in Literary Criticism | Abstract PDF |
| Pablo San Martin | ||
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ISSN 1749-9771
