Browse Title Index

Issue Title
No 14 (2012): Sacred & Sacrilegious Investigating Claims of Eroticism in Images of the Annunciation Abstract   PDF
Frank Ferrie
No 09 (2009): Voice/s Irish voices for Irish visions: Gael Linn’s documentary film projects Abstract   PDF
Heather Macdougall
No 01 (2005): Origins & Originality Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image Abstract   PDF
Daniel Yacavone
No 21 (2015): Private/Public "Jo, the outlaw with the broom": The Public and Pestiferous Role of the Vagrant in Charles Dickens's Bleak House Abstract   PDF
Alistair Robinson
2006: Special Issue 01: Evolutions Jonathan Lethem's Genre Evolutions Abstract   PDF
James Peacock
2014: Special Issue 03: ReVision Conference Local Explanations: Editing a Sense of Place in Walter Scott’s Minstrelsy of the Scottish Border Abstract   PDF
Lucy Macrae
No 01 (2005): Origins & Originality Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda Abstract   PDF
Denise Tischler Millstein
No 13 (2011): Revenge Madness and Revenge: Gendered False Consciousness in the Golden Age Crime Novel Abstract   PDF
Samantha Walton
No 13 (2011): Revenge Mammary Landscapes and Mother's Figure: Vengeance and matrilineal legacy in the poetic drama of W.H. Auden Abstract   PDF
Andrew Campbell
No 08 (2009): Technologies Marcuse on Art and Technology Abstract   PDF
Andrew Feenberg
No 12 (2011): Authenticity Masks of Infamy: The About-faces in Christopher Nolan’s The Dark Knight Abstract   PDF
Larrie Dudenhoeffer
No 08 (2009): Technologies Mediating Human-Technology Relationships: Explorations of Hybridity, Humanity and Embodiment in Doctor Who Abstract   PDF
Anne Cranny-Francis
No 10 (2010): Space/s Metamorphosis and Identity – “Cinetheatrical” Spaces in Peter Greenaway’s The Baby of Mâcon Abstract   PDF
Zita Turi
No 19 (2014): The New Materialisms Mineralising Software: Moving Through Material Processes Abstract   PDF
Rumen Rachev
No 06 (2008): Desire Mod Murder: Death and Desire in Swinging London Film Abstract   PDF
Michelle Devereaux
No 16 (2013): Un/Natural Histories Molecularising Nature: How Scandinavian Wolves Became Natural Abstract   PDF
Håkon B. Stokland
No 15 (2012): Imitation and Repetition Molly Bloom and the Comedy of Remarriage Abstract   PDF
Camelia Raghinaru
Special Issue 04 (2015): Transnational Memory and Traumatic Histories Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War Abstract   PDF
Christina Brennan
No 07 (2008): Haunting Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth Abstract   PDF
Lizz Angelo
2014: Special Issue 03: ReVision Conference Music in Film and Literature through Shen Congwen’s Editing of the Script of The Border Town Abstract   PDF
Qianwei He
No 05 (2007): Apocalypse Now Musical Apocalypse: Tom Waits’ Bone Machine Abstract   PDF
Angela Jones
No 08 (2009): Technologies MY PROSTHETIC AND I: Identity Representation in Bodily Extension Abstract   PDF
Elizabeth Wright
No 01 (2005): Origins & Originality Myths of Origin and Myths of the Future in Larissa Lai's Salt Fish Girl Abstract   PDF
Elizabeth C. Harmer
No 10 (2010): Space/s Nabokov and Wenders: Lost Landscapes and Found Meaning in the Age of the Sign Economy Abstract   PDF
Rhys Griffiths
No 15 (2012): Imitation and Repetition Nostalgia's Violence Abstract   PDF
Sarah Bracke
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ISSN 1749-9771

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