| Issue | Title | |
| No 14 (2012): Sacred & Sacrilegious | Investigating Claims of Eroticism in Images of the Annunciation | Abstract PDF |
| Frank Ferrie | ||
| No 09 (2009): Voice/s | Irish voices for Irish visions: Gael Linn’s documentary film projects | Abstract PDF |
| Heather Macdougall | ||
| No 01 (2005): Origins & Originality | Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image | Abstract PDF |
| Daniel Yacavone | ||
| No 21 (2015): Private/Public | "Jo, the outlaw with the broom": The Public and Pestiferous Role of the Vagrant in Charles Dickens's Bleak House | Abstract PDF |
| Alistair Robinson | ||
| 2006: Special Issue 01: Evolutions | Jonathan Lethem's Genre Evolutions | Abstract PDF |
| James Peacock | ||
| 2014: Special Issue 03: ReVision Conference | Local Explanations: Editing a Sense of Place in Walter Scott’s Minstrelsy of the Scottish Border | Abstract PDF |
| Lucy Macrae | ||
| No 01 (2005): Origins & Originality | Lord Byron and George Eliot: Embracing National Identity in Daniel Deronda | Abstract PDF |
| Denise Tischler Millstein | ||
| No 13 (2011): Revenge | Madness and Revenge: Gendered False Consciousness in the Golden Age Crime Novel | Abstract PDF |
| Samantha Walton | ||
| No 13 (2011): Revenge | Mammary Landscapes and Mother's Figure: Vengeance and matrilineal legacy in the poetic drama of W.H. Auden | Abstract PDF |
| Andrew Campbell | ||
| No 08 (2009): Technologies | Marcuse on Art and Technology | Abstract PDF |
| Andrew Feenberg | ||
| No 12 (2011): Authenticity | Masks of Infamy: The About-faces in Christopher Nolan’s The Dark Knight | Abstract PDF |
| Larrie Dudenhoeffer | ||
| No 08 (2009): Technologies | Mediating Human-Technology Relationships: Explorations of Hybridity, Humanity and Embodiment in Doctor Who | Abstract PDF |
| Anne Cranny-Francis | ||
| No 10 (2010): Space/s | Metamorphosis and Identity – “Cinetheatrical” Spaces in Peter Greenaway’s The Baby of Mâcon | Abstract PDF |
| Zita Turi | ||
| No 19 (2014): The New Materialisms | Mineralising Software: Moving Through Material Processes | Abstract PDF |
| Rumen Rachev | ||
| No 06 (2008): Desire | Mod Murder: Death and Desire in Swinging London Film | Abstract PDF |
| Michelle Devereaux | ||
| No 16 (2013): Un/Natural Histories | Molecularising Nature: How Scandinavian Wolves Became Natural | Abstract PDF |
| Håkon B. Stokland | ||
| No 15 (2012): Imitation and Repetition | Molly Bloom and the Comedy of Remarriage | Abstract PDF |
| Camelia Raghinaru | ||
| Special Issue 04 (2015): Transnational Memory and Traumatic Histories | Mothers’ and Daughters’ Memories: The Palimpsest and Women’s Writing during the Algerian Civil War | Abstract PDF |
| Christina Brennan | ||
| No 07 (2008): Haunting | Moving Like a Ghost: Tarquin’s Specter and Agentive Objects in The Rape of Lucrece, Julius Caesar, and Macbeth | Abstract PDF |
| Lizz Angelo | ||
| 2014: Special Issue 03: ReVision Conference | Music in Film and Literature through Shen Congwen’s Editing of the Script of The Border Town | Abstract PDF |
| Qianwei He | ||
| No 05 (2007): Apocalypse Now | Musical Apocalypse: Tom Waits’ Bone Machine | Abstract PDF |
| Angela Jones | ||
| No 08 (2009): Technologies | MY PROSTHETIC AND I: Identity Representation in Bodily Extension | Abstract PDF |
| Elizabeth Wright | ||
| No 01 (2005): Origins & Originality | Myths of Origin and Myths of the Future in Larissa Lai's Salt Fish Girl | Abstract PDF |
| Elizabeth C. Harmer | ||
| No 10 (2010): Space/s | Nabokov and Wenders: Lost Landscapes and Found Meaning in the Age of the Sign Economy | Abstract PDF |
| Rhys Griffiths | ||
| No 15 (2012): Imitation and Repetition | Nostalgia's Violence | Abstract PDF |
| Sarah Bracke | ||
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ISSN 1749-9771
