Issue | Title | |
No 08 (2009): Technologies | Not Just Ensemble Films: Six Degrees, Webs, Multiplexity and the Rise of Network Narratives | Abstract PDF |
Vivien Silvey | ||
No 19 (2014): The New Materialisms | Notes on Metallic Affect: Metallurgy and New Materialism | Abstract PDF |
Alex Casper Cline | ||
No 02 (2006): Fear & Terror | Notes on the Terror Film | Abstract PDF |
Keith Brown | ||
No 10 (2010): Space/s | Of Space Forevermore | Abstract PDF |
Michal Kobialka | ||
No 20 (2015): After the Good Life | Oliver Bennett, Cultures of Optimism: The Institutional Promotion of Hope | Details PDF |
Sarah Bernstein | ||
No 08 (2009): Technologies | On Dwarves and Scientists: Probing for Technological Ethics in the Creative Imagination of J.R.R. Tolkien | Abstract PDF |
Jeremy Kidwell | ||
No 19 (2014): The New Materialisms | On The Threshold of New Materialist Studies | Abstract PDF |
Iris van der Tuin | ||
No 13 (2011): Revenge | Oral History and Revenge in Annie Proulx's "The Half-Skinned Steer" | Abstract PDF |
Ellen Boyd | ||
No 09 (2009): Voice/s | ORAL HISTORY AS POLITICAL RESISTANCE: Posse and Once Upon a Time in Mexico | Abstract PDF |
Adam Wadenius | ||
No 10 (2010): Space/s | Orienting Design, Discourse and Perception in C’était un Rendez-Vous | Abstract PDF |
Paul Krumholz | ||
No 07 (2008): Haunting | Palimpsest, Pasolini, Poe and Poetics, or the phantoms haunting Dario Argento’s Opera (1987) | Abstract PDF |
Keith Hennessey Brown | ||
2008: Special Issue 02: Play Conference | Playful Culture and the Glamorization of Everyday (Virtual) Life: Elements of Play in Facebook Applications | Abstract PDF |
Valentina Rao | ||
2008: Special Issue 02: Play Conference | Playing Before God: Theology and Play in Dialogue | Abstract PDF |
Daniel Gabelman | ||
No 10 (2010): Space/s | Plugs | Abstract PDF |
Steven Connor | ||
2006: Special Issue 01: Evolutions | Poetry as Compass: Chaos, Complexity, and the Creative Voice | Abstract PDF |
Claudia S. Schlee | ||
2008: Special Issue 02: Play Conference | Politics of Play: Situationism, Détournement, and Anti-Art | Abstract PDF |
Christie Ko | ||
No 23 (2016): Readers and Writers | Preface | Abstract PDF |
Katie Halsey | ||
No 12 (2011): Authenticity | Preface to FORUM Issue 12: Authenticity | Abstract PDF |
Tim Milnes | ||
No 13 (2011): Revenge | Preface: "On Revenge" | Abstract PDF |
Anna Maria Jones | ||
No 03 (2006): Chance and Control | "Prisoner's Dilemma" vs. William S. Burroughs's "Controller's Dilemma": A Discursive Motif in the Repression of Working-Class Self-Organization | Abstract PDF |
Manuel Yang | ||
No 19 (2014): The New Materialisms | Proliferation, Action: Marine Plastic Pollution, Material Agency, and Affective Representation | Abstract PDF |
Clare Echterling | ||
No 21 (2015): Private/Public | Public Works | Abstract PDF |
Bruce Robbins | ||
No 21 (2015): Private/Public | Publicising the Private: Dressing Room Performances in Angela Carter's Nights at the Circus | Abstract PDF |
Jessica Farrugia | ||
2006: Special Issue 01: Evolutions | Pull My Daisy. A Bebop Revolution | Abstract PDF |
Sara Villa | ||
No 04 (2007): Camp! | Putting on the Red Dress: Reading Performative Camp in Douglas Sirk's All That Heaven Allows | Abstract PDF |
Ryan Powell | ||
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ISSN 1749-9771


