| Issue | Title | |
| No 13 (2011): Revenge | Rape and Revenge in Graphic Detail: Neil Gaiman's "Calliope," in The Sandman Comic Series | Abstract PDF |
| Justine Gieni | ||
| No 23 (2016): Readers and Writers | Reading Projects | Abstract PDF |
| Faye Hammill | ||
| No 23 (2016): Readers and Writers | Reading Solomon J. Solomon’s Samson against the Book of Judges | Abstract PDF |
| Aysha Musa | ||
| 2014: Special Issue 03: ReVision Conference | Realising (re)vision, manipulating manoeuvres: editing the English Middle Ages | Abstract PDF |
| Kenna L. Olsen | ||
| No 02 (2006): Fear & Terror | Re-reading Adorno: The 'after-Auschwitz' Aporia | Abstract PDF |
| Elaine Martin | ||
| No 13 (2011): Revenge | Revenge and Remake: Meir Zarchi's Day of the Woman and Steven Monroe's I Spit on Your Grave | Abstract |
| Nathalie S. Ingrassia | ||
| No 13 (2011): Revenge | Revenge and Remake: Meir Zarchi's Day of the Woman and Steven Monroe's I Spit on Your Grave | Abstract PDF |
| Nathalie S. Ingrassia | ||
| No 19 (2014): The New Materialisms | Review of Ann Murray, ed. Germanistik in Ireland, Interrogating Normalcy | Abstract PDF |
| Lizzy Robinson-Self | ||
| No 02 (2006): Fear & Terror | Review: Terry Eagleton. Holy Terror Oxford UP, 2005. 160 pp. | Details PDF |
| Claire Altree | ||
| No 17 (2013): Rites & Rituals | Ritual Art: Political, Social and Religious Subversion in the Dramatic Works of William Butler Yeats and Aleister Crowley | Abstract PDF |
| Amy Clanton | ||
| No 14 (2012): Sacred & Sacrilegious | Sacred/Sacrilegious Tourism in Emily Dickinson's Poems | Abstract PDF |
| Li-hsin Hsu | ||
| No 05 (2007): Apocalypse Now | Scenes from the Decline and Fall of the American Empire | Abstract PDF |
| Darryl Jones | ||
| 2006: Special Issue 01: Evolutions | Screaming through the century: The female voice as cathartic/transformative force, from Berg's Lulu to Tykwer's Run Lola Run | Abstract PDF |
| Maree Macmillan | ||
| No 13 (2011): Revenge | Seeking Vengeance: Revenge Tragedy, Coherence and Scepticism from Sophocles to Shakespeare | Abstract PDF |
| Fionnuala ONeill | ||
| No 02 (2006): Fear & Terror | Sensationalism and Supersensibility: Eighteenth-Century Literary Terror Divided | Abstract PDF |
| Christopher Stokes | ||
| No 20 (2015): After the Good Life | Sentimentality in the Suburban Ensemble Dramedy: A Response to Berlant’s Optimism-Realism Binary | Abstract PDF |
| Wyatt Moss-Wellington | ||
| No 15 (2012): Imitation and Repetition | Something Old, Something New, Something Borrowed, Something Blue: Aspects of Interdisciplinary Knowledge Transfer from a Translation Studies Perspective | Abstract PDF |
| Mara Götz | ||
| No 10 (2010): Space/s | Spaces Turning into Places: Mental vs. Institutional Places and Spaces in Colin Thubron’s A Cruel Madness | Abstract PDF |
| Cornelia Wächter | ||
| No 17 (2013): Rites & Rituals | Spatialising Ritual: Acts of Remembrance in Contemporary Memorial Design | Abstract PDF |
| Russell Rodrigo | ||
| No 22 (2016): Ideological Conflict | Stealing Fire: Political Re-Appropriation of Verse Drama in Tony Harrison’s Prometheus and Liz Lochhead’s Medea | Abstract PDF |
| Harriet MacMillan | ||
| 2006: Special Issue 01: Evolutions | Subgenres as a sign of socio-cultural change: the case of men's magazines' problem pages in the UK | Abstract PDF |
| Eduardo de Gregorio-Godeo | ||
| No 11 (2010): Identity | Surrealism and the ‘Fissured Subject’: Breton, Éluard, and Desnos | Abstract PDF |
| James Leveque | ||
| No 16 (2013): Un/Natural Histories | Tales of Torment: Death, Nature, and Genre in Keri Hulme’s Short Story Collection Te Kaihau/The Windeater | Abstract PDF |
| Justine Seran | ||
| No 08 (2009): Technologies | Technology and Perception in Wim Wenders’ Wings of Desire: A Reflection on Time, Space and Memory in the Postmodern Metropolis | Abstract PDF |
| Silia Kaplan | ||
| No 02 (2006): Fear & Terror | Terrorism and Its Metaphors | Abstract PDF |
| Mark Fabiano | ||
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ISSN 1749-9771
