| Issue | Title | |
| No 15 (2012): Imitation and Repetition | The Archontic Holmes: Understanding adaptations of Arthur Conan Doyle's Sherlock Holmes stories in the context of Jacques Derrida's “Archive” | Abstract PDF |
| Suzanne R. Black | ||
| No 12 (2011): Authenticity | The Authentic Artwork? The Paris Review Author Interview | Abstract PDF |
| Becky Roach | ||
| No 12 (2011): Authenticity | The Burden of Authentic Expression in the Later Poetry of Geoffrey Hill | Abstract PDF |
| Jack Baker | ||
| No 18 (2014): Cliché | The Cliché as Complaint and Critique | Abstract PDF |
| Jakob Norberg | ||
| No 05 (2007): Apocalypse Now | The Critical Mass of Language: Post-Trinity Representation | Abstract PDF |
| Daniel F. Spoth | ||
| No 23 (2016): Readers and Writers | The Editorial Beginnings of the First Chemical Journal | Abstract PDF |
| Anna Gielas | ||
| No 20 (2015): After the Good Life | The End of the Good Life: Literary Representations of Suburbia and the American Nightmare | Abstract PDF |
| Joanna Wilson | ||
| No 13 (2011): Revenge | The Face of Comic Revenge in Jonson's Alchemist | Abstract PDF |
| Michelle Brown | ||
| No 02 (2006): Fear & Terror | The Grotesque Sublime: Play with Terror | Abstract PDF |
| Shun-liang Chao | ||
| No 19 (2014): The New Materialisms | The Hauntology of Media Addiction | Abstract PDF |
| Eva Zekany | ||
| No 08 (2009): Technologies | The Independent Inventor: Hero or Fool? | Abstract PDF |
| Ron Westrum | ||
| No 09 (2009): Voice/s | The inevitable need to speak in order to be: On the loss of voice in two plays by Timberlake Wertenbaker | Abstract PDF |
| Sophie Bush | ||
| No 01 (2005): Origins & Originality | The Kuleshov Effect and the Death of the Auteur | Abstract PDF |
| Michael Russell | ||
| No 01 (2005): Origins & Originality | The Life and Death of the Avant-garde on the Battlefield of Rhetoric - and Beyond | Abstract PDF |
| Hubert van den Berg | ||
| 2014: Special Issue 03: ReVision Conference | The Lindisfarne Gospels: A Living Manuscript | Abstract PDF |
| Margaret Walker | ||
| 2008: Special Issue 02: Play Conference | The Ludic Parody of Terry Pratchett | Abstract PDF |
| Camilla Ulleland Hoel | ||
| 2008: Special Issue 02: Play Conference | The Mad Man in the Attic: Playing with Gendered Literary Identity as Object and Muse in Iris Murdoch's The Good Apprentice and The Message to the Planet. | Abstract PDF |
| Emma Miller | ||
| No 02 (2006): Fear & Terror | The Marquis de Sade's The 120 Days of Sodom: Revelling in the Natural Law of Libertinage | Abstract PDF |
| Amanda Di Ponio | ||
| No 19 (2014): The New Materialisms | The Material Poetics of Fabien Bürgy: Reflections on Spikes | Abstract PDF |
| Renata Lemos Morais | ||
| No 21 (2015): Private/Public | The Modern City as an Oeuvre: Theory and Practice of The Production of Space in Henri Lefebvre’s “Intellectual Activism” and European Street Art | Abstract |
| Marie Chabbert | ||
| No 15 (2012): Imitation and Repetition | The New Creatures of Difference: A Look at the Concept of Repetition Within Dissipative Systems Theory | Abstract PDF |
| Robert Drury King | ||
| No 11 (2010): Identity | The New Individualist Perspective: Identity Transformations in the Aftermath of the Global Financial Crisis | Abstract PDF |
| Anthony Elliott | ||
| No 09 (2009): Voice/s | The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene | Abstract PDF |
| Colleen E. Kennedy | ||
| 2008: Special Issue 02: Play Conference | The Performance of Digital Play | Abstract PDF |
| Emma Westecott | ||
| No 01 (2005): Origins & Originality | The Phantom Walking the Text: The Death of the Author Reconsidered. | Abstract PDF |
| Sten Moslund | ||
| 151 - 175 of 223 Items | << < 2 3 4 5 6 7 8 9 > >> | |
ISSN 1749-9771
