| Issue | Title | |
| 2006: Special Issue 01: Evolutions | "The pleasure of fiends": Degenerate Laughter in Stoker's Dracula | Abstract PDF |
| Mackenzie Bartlett | ||
| No 04 (2007): Camp! | The Politics of Dancing: Les Ballets Trockadero de Monte Carlo | Abstract PDF |
| Selby Wynn Schwartz | ||
| No 22 (2016): Ideological Conflict | The Problem of Ideology | Abstract PDF |
| Jasmine Gani | ||
| No 14 (2012): Sacred & Sacrilegious | The Sacred Dragon in the Woods: on Jez Butterworth’s Jerusalem | Abstract PDF |
| Julia Boll | ||
| No 17 (2013): Rites & Rituals | The Sacred Oath of a Secret Ritual: Performing Authority and Submission in the Mafia Initiation Ceremony | Abstract PDF |
| Rossella Merlino | ||
| No 14 (2012): Sacred & Sacrilegious | The Sacred, the Sacrilegious, and the Elegiac in Dennis O’Driscoll’s Poetry: “Missing God” and Other Poems | Abstract PDF |
| Joseph C. Heininger | ||
| No 19 (2014): The New Materialisms | The Shakespeare death tercentenary celebrations in England and Scotland: How British was Shakespeare in 1916? | Abstract PDF |
| Emily Anderson | ||
| No 06 (2008): Desire | The Shanghai Gesture | Abstract PDF |
| Homay King | ||
| No 07 (2008): Haunting | The Shoah Simulacrum: postmemory and spectral homecoming in Maxim Biller’s novella “Harlem Holocaust” | Abstract PDF |
| Veronika Köver | ||
| No 11 (2010): Identity | The Sparrow’s Fall: Self’s Mergence with Identity in Louisa May Alcott’s Hospital Sketches | Abstract PDF |
| Travis Martin | ||
| No 04 (2007): Camp! | "The vanguard - and the most articulate audience": Queer Camp, Jack Smith and John Waters | Abstract PDF |
| Nicholas de Villiers | ||
| No 13 (2011): Revenge | The Violation of Representation: Art, Argento and the Rape-Revenge Film | Abstract PDF |
| Alexandra Heller-Nicholas | ||
| No 08 (2009): Technologies | The War Artists’ Advisory Committee, Aviation and the Nation during the Second World War | Abstract PDF |
| Rebecca Searle | ||
| No 04 (2007): Camp! | The Wide Camp Sea, or Notes on Sontag | Abstract PDF |
| Sholem Krishtalka | ||
| No 09 (2009): Voice/s | The World of African Storytelling | Abstract PDF |
| Isidore Okpewho | ||
| No 16 (2013): Un/Natural Histories | The “Natural” Is a Sham: The Baroque and Its Contemporary Avatars | Abstract PDF |
| Mattijs van de Port | ||
| No 05 (2007): Apocalypse Now | This is the End: Earth First! and Apocalyptic Utopianism | Abstract PDF |
| Michael Mikulak | ||
| No 01 (2005): Origins & Originality | Timeless and (Un)original : the Role of Gossip in R.K. Narayan's The Man-Eater of Malgudi and The Painter of Signs | Abstract PDF |
| James Peacock | ||
| No 09 (2009): Voice/s | To Speak or Not to Speak: An Encounter with J. M. Coetzee's Foe | Abstract PDF |
| Laura Tansley | ||
| No 23 (2016): Readers and Writers | Towards a Marginal History of Reading the Geneva Bible | Abstract PDF |
| Alexander Hardie-Forsyth | ||
| No 16 (2013): Un/Natural Histories | Transformative Impetus: A Look at Virginia Woolf’s Between the Acts. | Abstract PDF |
| Genevieve Sartor | ||
| No 17 (2013): Rites & Rituals | Trees of Birth: rituals and the emergence of sacred space in Dutch Vinex-areas | Abstract PDF |
| Inez Schippers | ||
| No 08 (2009): Technologies | "Unleashing the Underdog": Technology of Place in Virginia Woolf's Flush | Abstract PDF |
| Verita Sriratana | ||
| No 12 (2011): Authenticity | Vampiric Narratives: Constructing Authenticity in Bram Stoker’s Dracula | Abstract PDF |
| Kirsty Butler | ||
| No 17 (2013): Rites & Rituals | Vessels of Passage: Reading the Ritual of the Late-Medieval Ship of Fools | Abstract PDF |
| Zita Turi | ||
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ISSN 1749-9771
