| Issue | Title | |
| 2008: Special Issue 02: Play Conference | Violence as Surrealist Play in Angela Carter's Shadow Dance | Abstract PDF |
| Anna Fruchart Watz | ||
| No 23 (2016): Readers and Writers | Virtual Playgrounds: Electronic Literature’s Challenge to Authorship | Abstract PDF |
| Lydia Tuan | ||
| No 16 (2013): Un/Natural Histories | We Have Built You: On the Nature of Artificial Intelligence in Blade Runner and Babylon Babies. | Abstract PDF |
| April Durham | ||
| No 16 (2013): Un/Natural Histories | Wilderness, the West and the Myth of the Frontier in Sean Penn’s Into the Wild | Abstract PDF |
| Laura I. H. Beattie | ||
| No 03 (2006): Chance and Control | William Blake and the Bible: Reading and Writing the Law | Abstract PDF |
| Michael Farrell | ||
| No 11 (2010): Identity | ‘At Home in Dust’: Francesca Woodman’s House Series, Revisited | Abstract PDF |
| Meaghan Thurston | ||
| No 14 (2012): Sacred & Sacrilegious | ‘Numinous’ and ‘Negatively Numinous’ in Bram Stoker’s Dracula | Abstract PDF |
| Lucy Linforth | ||
| No 09 (2009): Voice/s | ‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning. | Abstract PDF |
| David Forrest | ||
| No 08 (2009): Technologies | “a void rubbing out its own inscription”: Electronic Technology, Hypertext and the Paradox of Self-Erasure | Abstract PDF |
| Luke Korzun Martin | ||
| No 02 (2006): Fear & Terror | “Bonnie und Kleid”: Female Terrorists and the Hysterical Feminine | Abstract PDF |
| Clare Bielby | ||
| No 07 (2008): Haunting | “But who is to say what is fake and what is real?” – Spectral and Textual Haunting in Peter Ackroyd’s Chatterton | Abstract PDF |
| Stefanie Albers | ||
| No 09 (2009): Voice/s | “Child’s Own Voice”: Representing the Child Audience | Abstract PDF |
| Lynn Whitaker | ||
| No 06 (2008): Desire | “Desiderio in Search of a Master”: Desire and the Quest for Recognition in Angela Carter’s The Infernal Desire Machines of Doctor Hoffman | Abstract PDF |
| Helen Butcher | ||
| No 13 (2011): Revenge | “Eat Shit and Die!”: Rereading power dynamics in fictional depictions of coprophagia | Abstract PDF |
| Mike Witcombe | ||
| No 10 (2010): Space/s | “Justified in the World”: Spatial Values and Sensuous Geographies in Cormac McCarthy’s The Road | Abstract PDF |
| Anthony Warde | ||
| No 22 (2016): Ideological Conflict | “Of traditional Israel and Albion”: discourses of racial purity and the Jewish body in Mina Loy’s “Anglo-Mongrels and the Rose” | Abstract PDF |
| Rachel Smith | ||
| No 05 (2007): Apocalypse Now | “The Four Horsemen of the Greenhouse Apocalypse”: Apocalypse in the Science Fiction Novels of George Turner | Abstract PDF |
| Roslyn Weaver | ||
| Special Issue 04 (2015): Transnational Memory and Traumatic Histories | “The great night of Europe is shot through with long, sinister trains”: Transnational memory and European identity in Antonio Muñoz Molina’s Sepharad | Abstract PDF |
| Lasse-Emil Paulsen | ||
| No 19 (2014): The New Materialisms | “the killing of speech”: The Sonic-Politics of The Four Horsemen | Abstract PDF |
| Eric Schmaltz | ||
| No 10 (2010): Space/s | “To the Ice-House” – With Apologies to Virginia Woolf: Conversations on Place in the Humanities | Abstract |
| Judith Irwin-Mulcahy et al | ||
| No 15 (2012): Imitation and Repetition | “Trust me, I’m telling you my life story”: Queer Return in the memoirs of Jeanette Winterson and Jackie Kay | Abstract PDF |
| Eileen Pollard | ||
| No 11 (2010): Identity | “What a story it could be”: Identity and Narrative Strategy in Ali Smith’s Like | Abstract PDF |
| James Bailey | ||
| No 22 (2016): Ideological Conflict | “You’re either with us, or you are with the terrorists” – Juxtaposed Ideologies in the War on Terror | Abstract PDF |
| Maryam Jameela | ||
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ISSN 1749-9771
